Frances Cockburn

[…] of -highlight">the film for programme to work down to any time.Speaker 1  33:53  Well Opus, I remember very well, which was, I think, nominated for an -highlight">-highlight">-highlight">Oscar and to do what got -highlight">on. But it was an interesting film, in that it was -highlight">the first time that -highlight">the COI had ever attempted to make anything that was a[…]

Val Guest

[…]] and I worked a lot with Lupino Lane.RF: Just to wrap up -highlight">on school did you have any encouragement -highlight">on writing -highlight">there. VG: Not specifically, except-highlight">- from my mo-highlight">ther who did -highlight">on -highlight">the odd times I saw her, because my parents were divorced, and I wasn't really supposed to know my mo-highlight">ther at all, my fa-highlight">the[…]

Sydney Samuelson

[…]ane and I went to Los Angles and I .... I wrote to him. ......Now coincidentally ... Freddie Young had just shot Lawrence of Arabia and it had w-highlight">on an -highlight">-highlight">-highlight">Oscar. It was -highlight">the first prize Panavisi-highlight">on had ever got. And of course .......... tt Freddie could do no wr-highlight">ong as far as Bob Gottschalk was c-highlight">oncerned. A[…]

Tom Peacock

EXTRACT:-highlight">-"A chap I knew said would I like to come down to Denham. I said, 'I d-highlight">on’t think I know enough about fibrous plastering.' He said, 'Well, come down because -highlight">they could do with men, because -highlight">they’re busy.'    -highlight">They were doing 'Elephant Boy' and things like that at -highlight">the time, a[…]

Muriel Cole

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-highlight">-transcripti-highlight">on/.It provides a basic, but unverified or p-highlight">roofread transcript of -highlight">the interview. -highlight">Therefore, -highlight">the British Entertainment History Project (BEHP) accepts no liability for[…]
Scroll to Top