[…]. It's always intrigued me this sort of thing. My job has been my hobby. My son followed in my footsteps, I suppose, cause he's a sound recordist, an Oscar winner, still working, made a lot of well know feature films. He did most of the Pink Panthers and the Muppet films, and Star Wars, a couple of […]
[…]John P. Hamilton 0:01 The copyright of this recording is vested in the BECTU History Project. Our subject today is John Ammonds - A M M O N D S. Television producer director, ex-BBC TV, Thames TV, London Weekend Television, now retired. The interviewer record this is John P Ham[…]
[…]me became camera men as a result of training from me and I think they'd be the first to admit it. I always say to him, I wish he wouldn't have won an Oscar if it hadn't been for me. Because he got the Oscar. Roy Fowler 1 1:35:12 Anyway, that was it. He's yes. He said sever[…]
Sheelagh Reece DRAFT. Tape 1 Side AThis recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (201[…]
[…]back in Florida. What then.Jimmy Gilbert: Then I went up to Canada and did 3 months in Prince Edward Island, I think it was something to do with lease-lend at the time and you got the most thorough training possible because it was a peacetime naval training and you were trained virtually as a carrie[…]
[…] in 1969 by Women In Love which won him an Oscar nomination, and Glenda Jackson an Oscar. His feet didn’t […]
[…] very well in the end. Norman Swallow: That got an Oscar as the Best Picture, or you got the Oscar […]
Madeline Smith Part 1This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any […]
