[…]to -highlight">the set by -highlight">the inclusi-highlight">on of a train in -highlight">the background.00:27:20 – 00:33:30 Travels With My Aunt with George Cukor for which JB was nominated for an -highlight">-highlight">-highlight">Oscar; [JB begins talking about Nicholas and Alexandra before a break in -highlight">the recording which picks up at a later time/date] Sam Spiegel approached JB […]
[…]ia Televisi-highlight">on, where I spent nearly a year at Norwich -highlight">on a c-highlight">ontract. That c-highlight">ontract ran out and I joined -highlight">the BBC in 1962 as a holiday relief cameraman -highlight">- as an assistant cameraman.Interviewer 2:24 Okay, where were you living? How did you get to and from work?Michael Aldridge 2:30 &nb[…]
[…]riety of films, colour and B&W; Robert Siodmak and -highlight">The Rough and -highlight">the Smooth; a few small picture for Cubby Broccoli and T-highlight">ony Newly; -highlight">The Trials of -highlight">-highlight">-highlight">Oscar Wilde directed by Ken Hughes shot at Elstree, seven weeks from shooting to -highlight">the premiere; interesting and challenging set -highlight">on -highlight">-highlight">-highlight">Oscar Wilde, KA expe[…]
[…]nbsp; 15:02 And where your fa-highlight">ther is c-highlight">oncerned, -highlight">there is that group of people, C.M. Wolf, for example, and Victor Saville, -highlight">-highlight">-highlight">Oscar Deutsch. -highlight">They all were great builders within this particular area of endeavour. And it's very interesting that -highlight">the Ostrers a little l[…]
[…] But I used to go out regularly.John Legard: He was a remarkable art director wasn't he?Peggy Gick: Oh yes [???]. He also grew up in -highlight">the traditi-highlight">on of -highlight">-highlight">-highlight">Oscar Berndorff[?] and all -highlight">these. We were so lucky you see in -highlight">the early '30s -highlight">these German technicians came over, moving -highlight">themselves out[?] [???] were J[…]