Cyril Penningt-highlight">on-highlight">-Richards (cameraman and director) 17/12/1911 -highlight">- 2/1/2005by admin — last modified Aug 12, 2008 12:43 PMBECTU History Project -highlight">- Interview No. 122[Copyright BECTU] Transcripti-highlight">on Date: 2003-highlight">-08-highlight">-13Interview Date: 1990-highlight">-01-highlight">-09Interviewer: Alan Laws-highlight">on and Colin Moffat Inter[…]
[…]to reduce with reduce with -highlight">the old ermanganite process, you know, your film is dyed with a permanganite. And -highlight">then it was put through a soluti-highlight">on at bis-highlight">- sulphate alive which removed -highlight">the manganite and some of -highlight">the shadows with it, which really was a better method than what -highlight">they call -highlight">the Bakers? I think[…]
BECTU History Project -highlight">- Interview No. 118[Copyright BECTU] Transcripti-highlight">on Date: 1998-highlight">-12-highlight">-12Interview Date: ??? Interviewer: Ralph B-highlight">ond ?Interviewee: Ivor M-highlight">ontagu NB: This is evidently -highlight">the transcript of -highlight">the soundtrack of a filmed interview with Ivor M-highlight">ontagu (details not given -highlight">on tap[…]
[…]:49 where were you born? In Battersea vry good and what were your parents?Albert Critoph 0:55 My, in what way you mean, -highlight">the occupati-highlight">on, yeah. Occupati-highlight">on, -highlight">the occupati-highlight">on. My My fa-highlight">ther was a boot repairManny Yospa 1:09 school in Battersea as well. Yes,Speaker 1 1:10[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-highlight">-transcripti-highlight">on/.It provides a basic, but unverified or p-highlight">roofread transcript of -highlight">the interview. -highlight">Therefore, -highlight">the British Entertainment History Project (BEHP) accepts no liability for[…]
[…]eft after -highlight">they had a fire at Stoll’s while -highlight">they were making -highlight">the ‘racing film’; went to Best Lab (which later became Humphries) next working in -highlight">the pos-highlight">-room waxing -highlight">the rushes using a [Moy machine?]; he joined -highlight">the ACT 24/1/36; he started at Humphries in 1934; T-highlight">ony Schmitz; paid extra m-highlight">oney for working[…]
[…]s, you know, blue collars and white collars?It wasn‟t organised.No.Until, mm, was it 1953 when we had this lockout?When we had -highlight">the lockout, Fifty-highlight">-four wasn’t it?Was it Fifty-highlight">-four?Fifty-highlight">-three, Fifty-highlight">-four, I’m not sure.DAPHNE ANCELL 13Yes, but it wasn‟t organised until -highlight">then.But right from -highlight">the wor[…]
BECTU History Project -highlight">- Interview No. 294 [Copyright BECTU] Transcripti-highlight">on Date: 2004-highlight">-03-highlight">-18Interview Date: 1972-highlight">-05 Interviewers: Jim ShieldsInterviewee: Kay Mander Kay Mander: Joy, could we start with when and where you were born?Joy Batchelor: I was born in Watford, and at […]
[…]ob AllenSIDE 1, TAPE 1BA : Perhaps you could tell us when you first ca me into -highlight">the film industry, how you got interested in filmmaking, what lead you -highlight">- into it.BE: -highlight">The most interesting thing is that as a teenager I was all against films, I never went to see a film when I was a teenager, -highlight">they were fa[…]
[…]an engineering miracle to me, it had two gates in -highlight">the camera which were at right angles to each o-highlight">ther and -highlight">one was a single film and -highlight">the o-highlight">ther was a bi-highlight">-pack. Two films running toge-highlight">ther emulsi-highlight">on to emulsi-highlight">on and -highlight">the image coming through -highlight">the lens was split intensity allowing a third of light to -highlight">the sing[…]
