Dennis Kimbley

[…] processing, and then the printing from the negative for them during that time. Which was quite interesting, because I see a lot of this stuff now on TV that we actually process. In some of these historical documentaries,Roy Fowler  11:43  the Barnes Wallis activities came a little later,D[…]

Lew Grade

[…]d I suggested that Prince Littler, who owned the Moss Stoll group, become the chairman. And we went on from there ...Alan Sapper : And it was called ATV...Lew Grade : And then I started, what I did when we didn't have the licence ...We had a certain amount of capital. Hannah Weinstein came to me wit[…]

Charles W. Smith

[…]anaglyph system, which dates back to 1858. This is rather a poor quality system, though we did our best with it. I also collaborated on two broadcast TV programs on 3-D, which showed anaglyph 3-D scenes. These were put out by TBS in 1982.At the present time, I’m working again in 3-D, on a project fo[…]

Leonard (Len) Harris

[…] want to know anything about 'em. I don't - I suppose because one gets old, but I don't see, I watched a film on Saturday night, a late night film on TV. Now I don't watch much TV because of - if I do watch it, it's an old film as a rule. But Saturday night they had an old Hammer film which I worked[…]

John Aldred

[…]s 33 come about is the fragmentation of both the film and television industry because more and more I read productions are no longer made by the TV Channels or the film studios. Anybody can produce a picture, rent a four wall studio, engage Tom, Dick and Harry and make a movie. Anyone can make […]

Harold Myers

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
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