John Turner

[…] to get some quite good stuff actually. I had a Paramount camera man, Prakash, who became my assistant and he […]

Joan Kemp

[…] John Stuart, which I had a better part. That was Paramount. Roy Fowler: It's just labelled Paramount. Joan Kemp-Welch: Yes. […]

Chris Kelly

[…] least talented, but it was in the days when directors had too much power. I think and they weren't controlled and I can't remember the guys names at Paramount. The one guy in particular but again, very the the Jewish network if you like he gave Michael the carte blanche basically and he could do wh[…]

Jim Whittell

[…]bsp;                       Q:  The Paramount? 00:30:48        JIM WHITTELL:  The Paramount, yes the Paramount Bullring.    &nb[…]

John Turner

[…]ught to have the whole staff to do." It was a major story, on my own! It worked out well and I managed to get some quite good stuff actually. I had a Paramount camera man, Prakash, who became my assistant and he helped me quite a lot in locations and things and getting to know Delhi, I mean I had to[…]

John Shirley

[…] job but drop dead darling was as I say was way I thought way ahead of its time as a comedy and it didn't make it was unfortunate. Both Some work for paramount. And just at that moment, Paramount was taken over by Gulf was I forget the name of the guy that took it over. And they literally swept ever[…]

Norman Fisher

[…]Forest patent, the AEO-light, which Movietone had acquired and it made sound newsreels possible. And when other newsreels started up such as Gaumont, Paramount, Pathe, they had much more clumsy equipment. Pathe had Visatone recording on a separate recorder instead of in the camera. The recorder of c[…]

Doris Martin

[…] had been a civil service in the post office, but she had a cousin who had a connection and that's how I got in. She was the secretary to the Head of Paramount all over Europe. You know that big building in Wardour Street well she worked there. It was a kind of PA job but they just called it secreta[…]
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