[…] you better find yourself a job’. So I went to an employment agency and said I only wanted film work, and they said ‘Fine’, andthey found me a job at Paramount in Wardour Street. And David Rose was there at that time, and so was another lovely continuity, who had been a continuity girl, Diana McNab,[…]
[…]nly somebody said what are you going to donow and I said I don't know and they said there's a man called ListerLawrence starting very shortly to edit Paramount quota films in thesame studio, why don't you go and see him. I saw him and he took me onas his sole assistant. At that point I knew nothing […]
[…] people, all...mostly from um...[hesitates] er School[?] Road, up in er Paramount er... Alan Lawson: Oh yes, yes...Paramount News... Cyril Page: […]
[…] and he and Michael went to see Charlie Bludhorn of Paramount who had already turned the film down in London, […]
[…] a camera operator from 1928 -1933 making quota quickies for Paramount. He worked as second unit lighting cameraman (cinematographer) and […]
[…]e a serial in England. And here he is looking for the Son. See. The Paris studios, those pictures I took of Joan of Arc, I was standing on top of the Paramount news truck with my camera over my head upside down, took little pictures, and these enlargements. Here's the loudspeakers while they were do[…]
[…]? What did...Cyril Page: [interrupts] They all came. They were all experienced people, all...mostly from um...[hesitates] er School[?] Road, up in er Paramount er...Alan Lawson: Oh yes, yes...Paramount News...Cyril Page: Yep, all that lot um...mostly...Alan Lawson: Oh really?Cyril Page: Yep, most of[…]
[…] in fact worked for Howard Wilcox before the war doing films like Queen Victoria and 60 glorious years.SPEAKER: M5And there was a chap who worked for Paramount. What was his name. Dick Farrell who was a captain in Dick Farrell. Maybe that was after 9/11 by him. Yeah Richard.SPEAKER: M2But anyway we […]
