[…] well, yes. Roy Fowler: Yes. E.M. Smedley-Aston: We made for Paramount, we made for MGM and we made for somebody […]
[…] the Plaza, I sat with Dickie Attenborough, it was a Paramount picture. The Paramount executive came to me and he […]
[…] company - I'm not at all sure whether it was Paramount or something like that. And they used to make […]
[…] Projectionist (discussion of early sound systems) Late 1930s -40s - Paramount News 1940s - Army Kinematograph Service (AKS), Pinewood. 1940s […]
[…] End Projectionist (discussion of early sound systems) Late 1930s-40s - Paramount News 1940s - Army Kinematograph Service (AKS), Pinewood. 1940s-60s […]
[…] used to do a lot of 16mm transfer here of Paramount Pictures... Maurice Askew: Oh we did, yes that's right. We […]
[…] a picture with Christopher Morahan called Diamonds for Breakfast for Paramount, and then The Best House in London for Philip […]
[…] they brought him in, tested him, and he got it. Paramount saw him in it and put him under contract […]
[…] we used to do gag shots as well. We and Paramount were great ones for putting in gag shots. I […]
[…] Mick because he was red-hot on spots, having come from Paramount and places like that where they had big stage […]