[…]to be in Cineamscope and it was changed at the last minute because John Davis fell out with them and they went over to America and did this deal with Paramount and we had Vistavision .KGY: What about Vistavision.CC: It was chronic. Terrible cameras to work with. Ungainly and awkward. The whole idea […]
[…] John Stuart, which I had a better part. That was Paramount. Roy Fowler: It's just labelled Paramount. Joan Kemp-Welch: Yes. […]
[…]ol could never understand that whatsoever. certainly wasn't allowed, as you rightly said in Metro none of them over there now we're now in touch with Paramount now.Jim Shields 14:10 If you work with American he does not smell and visual. Or Dom I've noticed and react.John Hargreaves &nbs[…]
[…] costs 15 in the end I said it cost 13andso that was that the line join the Dayton Duffy thing for Only when I Laughknowsthat. I was offered to go to Paramount under contract. But in the meantime, Disney came back into the orbit and they wanted to do a film so I said what Paramount What do you[…]
[…]nted to ask me aboutInterviewer 12:36 when you touched on that slightly withGeoff Labram 12:38 Vista Vision, of course, was a paramount idea, intended to achieve better picture quality by not only photographing on an image of twice the size, but also projecting in the cinema […]
[…]there’s no grain, that was the big thing. But of course, when CinemaScope came out it was now the big wide screen and Rank went into VistaVision with Paramount. The big problem was cameras weren’t ready at that time, I don’t know if you’ve ever seen one, but before they arrived there was a camera te[…]
[…]e joined to begin with and then a few years later possibly 1930 31 British Paramount decided to start a newsreel and he joined British paramount. Jimmy can I&nb[…]
[…] least talented, but it was in the days when directors had too much power. I think and they weren't controlled and I can't remember the guys names at Paramount. The one guy in particular but again, very the the Jewish network if you like he gave Michael the carte blanche basically and he could do wh[…]
[…] were good films too.Charles Wilder: Yes, oh absolutely marvellous. And they were, except for Becket, they were all for Universal. I think Becket was Paramount, I think that's right. Um...if you only knew at that time, you'd make all sorts of notes, wouldn't you? [Chuckles]Margaret Thomson: [Chuckli[…]
[…] you better find yourself a job’. So I went to an employment agency and said I only wanted film work, and they said ‘Fine’, andthey found me a job at Paramount in Wardour Street. And David Rose was there at that time, and so was another lovely continuity, who had been a continuity girl, Diana McNab,[…]
