[…]g your pardon, a Canadian chappie Then we had Red Law. He was a very, very good type of mixer, very quick, very good, I believe, originally came from Paramount news. And he was at Paramount news for many, many years. And the other chiefs of sound we had, I can't I think one was called Mr. Smit[…]
[…]p;were paid labor modest expenses. I think each company. For example I know the paramount people were paid more than money else. And I know that movie at home&n[…]
[…]and the quality was bad. But there was no question within a very short time of getting the the tape recorder the the question of editing became paramount. Now at that time and I certainly edited edited material for programmes in 1954 and it was done in a completely different way than the way i[…]
[…]Forest patent, the AEO-light, which Movietone had acquired and it made sound newsreels possible. And when other newsreels started up such as Gaumont, Paramount, Pathe, they had much more clumsy equipment. Pathe had Visatone recording on a separate recorder instead of in the camera. The recorder of c[…]
[…] possible. And when other newsreels started up such as Gaumont, Paramount, Pathe, they had much more clumsy equipment. Pathe had […]
[…] in fact worked for Howard Wilcox before the war doing films like Queen Victoria and 60 glorious years.SPEAKER: M5And there was a chap who worked for Paramount. What was his name. Dick Farrell who was a captain in Dick Farrell. Maybe that was after 9/11 by him. Yeah Richard.SPEAKER: M2But anyway we […]
[…]seas assignments I did. One was the blowing up of the Heligoland UBoat Pens which was quite something. I went out. There was Alf Tungwell for I think Paramount and Dennis Towler I think for Universal and myself for BBC Newsreel. The operation was going to be viewed from the seas but we wanted someth[…]
[…] low budget pictu res and I got a job with Paramount as a writer, and um - then with Metro. […]
