William Fielder

[…] General Manager by the time it was taken over by Pathe. Fielder retained his post at Pathe until his retirement […]

Cyril Page

[…] had of news was going to the cinema and seeing Pathe Gaumont and all that, and I thought...and I could […]

Cyril Page

[…]ctor, hand-turn, and we used to do the old er Keystone Cops and Charlie Chaplin films, which were quite good. Then I went on, graduated a bit, to the Pathescope Home Movie Projector, which my father bought me, and er...and it led from there that I was doing all the films for the... We used to hire f[…]

William Fielder

[…]h marvellous. So what was the first take-over you remember? What was the new firm called? William Fielder: Er... [thinks] Sidney Cole: Was that Pathe yet, or was it something in between? William Fielder: Yes, Wardour Films stayed in the business until it amalgamated with Pathe. Sidney Co[…]

Reg Sutton

[…] eventually, long since dead now. Ken Hanshaw, now retired. Those are the ones I can remember offhand. Alec Tozer, his uncle was Alec Tozer of Kodak, Pathe, Kodak. He set up his daughter, old uncle Alec Tozer, in a 16mm laboratory in Southampton Row underneath a barbers in a basement. She was a pass[…]

Reg Sutton

[…] offhand. Alec Tozer, his uncle was Alec Tozer of Kodak, Pathe, Kodak. He set up his daughter, old uncle Alec […]

Norman Fisher

[…]nt, the AEO-light, which Movietone had acquired and it made sound newsreels possible. And when other newsreels started up such as Gaumont, Paramount, Pathe, they had much more clumsy equipment. Pathe had Visatone recording on a separate recorder instead of in the camera. The recorder of course was r[…]

Dallas Bower

[…]f I don't have that I may go over I don't want to do that at all.' And Graves, I must say who knew nothing whatever about filmmaking was extremely sympathetic he said, ‘You must have what you want.’  So I had Teddy Baird you see and of course I couldn't possibly have had anybody better who kept[…]
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