[…]ere we actually started filming while he was still writing, so it got to the stage where we were getting the script in the morning, like working on a newspaper or something, getting the hot news coming in and quickly have a meeting how we were going to work that day, and we worked at a hell of a pac[…]
[…] at the end of the war.Roy Fowler  10:43  Good for her.Jonathan Balcon  10:43  She married a chap called Aubrey Heimann who was a pathetic little man really who was obviously very rich and kept her in the the style to which she may or may not have been accustomed. But their broth[…]
[…]ved beautifully. I remember the programme no one can hear at least I can come here to my memory. Anyhow. Rugby gave me the chance of one extremely sympathetic young visit now to read was much older than me. who encouraged me to listen to a lot of contemporary music kind of passion then for devious a[…]
[…]re taken at the Front. And we had the opportunity in that one in the scene where all those wagons with the wounded men - was able to play Beethoven's Pathetique.Roy Fowler : Yes. Right.Ella Mallett : That made them weep.Roy Fowler : And did you have the songs from the trenches too in the score, do y[…]
[…]o I was free from further call-up. And I decided to look for a job, and I worked for a while in a Fleet Street press agency, supplying photographs to newspapers. And then I was offered a job in documentary films.  INTERVIEWER: Do you remember what company it was? CHARLES SMITH: Yes, o[…]
[…]and toning. Tinting consisted of ordering any one of umpteen coloured tints in which the celluloid, the base, was coloured - one I of them was called Pathe pink I remember and there was all sort of hues. The idea being that all the transparent parts of the film, the hi-lights when projected would co[…]
