[…]I didn't want to be a rehearsal pianist. So I just walked out of his office and that was the end of that.I then went to Universal to see a man called Paul Geelick[?] who was in charge of publicity for them, a very nice fellow. And I sort of told him who I was and asked him if he could give me any wo[…]
[…] on I'm now at the Academy, and I'd written to Paul Fox amongst other people, saying, "If you've got any […]
[…] in command changed and I really lost faith. I mean Paul Fox left BBC1 at that time, David Attenborough was […]
[…] was thrilled. I thought it was absolutely brilliant. I knew Paul Rotha - but a woman didn't get any help […]
[…] played John Halifax when young, and a guy named Fred Paul, who was by way of a British film star, […]
[…] Nymph, with Will Hay on Windbag the Sailor and for Paul Stein on Poison Pen (1940). He discusses various technological […]
[…] hit her slam in the jaw and knocked her out. Paul Stein was the director and all hell broke loose, […]
[…]as very fortunate in working with Truffaut, on Omnibus, about his life.But, to go back, we then moved to Gerards Cross from Fulmer, and I got into St Paul’s School in London, so it meant going up and down on the train. Which was quite a trek. DB: What ambitions formed in your young head at that[…]
[…]unning Trident Films at the time - with Yorkshire. And I'd co-produced this film. So suddenly two years on I'm now at the Academy, and I'd written to Paul Fox amongst other people, saying, "If you've got any ways you can recommend, because any kind of a job, a permanent job working in films and tele[…]
[…].Interviewer (unidentified): What did you think about the way it was made?Jill Craigie: I was thrilled. I thought it was absolutely brilliant. I knew Paul Rotha - but a woman didn't get any help from any of these people, you know, except the ones who made passes. That's a recurring theme.Interviewer[…]
