[…]nbeck’s terms was totally unimportant, well not totallyCC: He was exaggerating but sure.SC: Your first picture was Sanders of the River, did you meet Paul Robson?CC: Yes, I did. He didn't like the picture at all, I don't know how Alex sold it to him but on the first night he stormed out of the cinem[…]
[…]nd Percy Livingstone, I don’t know if you knew him (sure), er he succeeded me. And I think it may have been the next President but one, anyway it was Paul Fox.And I was still on the Council, and then there was an announcement that the Committee Chairmen were going to be changed. It was said that it […]
[…] in the early '30s and so we had people like Paul Stein and Freddy Zelnik and little Di... Roy Fowler: […]
[…]we’d say “come on, hurry up, get on with it”. [laughter] The kids would revolt. I fell in love straight away with the Cagneys, and the early Bogarts, Paul Muni and all these people; cowboys like Ken Maynard, and Tom Mix; and I’ve often told Kay, my wife, this was escapism, and it had an enormous eff[…]
[…]o happen to you all the time. And of course, there was not heavy traffic. Anyway. War Katy McGahan 4:26 You met Paul Rotha didn't you? Mary Orrom 4:28 That happened through my father, either had, I think, Paul Rotha ha[…]
[…] as well. The main… The main time that they all came round was when recording the… legendary trailers for Top Gear. Once when Paul came round, it was quite embarrassing because we used to have a mynah bird just inside the doorway. As you opened the door, on the right ha[…]
[…]at come later with Hitler?E.M. Smedley-Aston: Yes, yes, certainly there was. Yes it started you know in the early '30s and so we had people like Paul Stein and Freddy Zelnik and little Di...Roy Fowler: ...Dupont?E.M. Smedley-Aston: Hmm?Roy Fowler: Dupont? E.A. Dupont?E.M. Smedley[…]
[…]r ways. Never having had to find out what peacetime life is like and the normal sort of competition for work or decisions of that kind. And of course Paul is so whom we knew suffered from this all his life alsoMichael Legard 43:37 who is a scriptwriter atMichael Clarke 43:40 […]
[…]l, so that if there's any bad weather we can continue shooting inside this makeshift studio." So they erected a thing with tubular scaffolding and tarpaulin, this great big thing, and fixed it up, it was supposed to be the office of a railway station, an old fashioned thing, a ticket office or somet[…]
[…] left out if you're doing it commercially. You they did a film 40 years ago, and they where they got Danny Kaye to do that, and now this person wants Paul McCartney. I couldn't do that, although that's the way to make it commercially more successful. No. So there, you might say that's artistic integ[…]
