[…] – a cameraman –there was the initial kind of growing together process which was always tough, but itdidn’t last too long. I made a film in Pinewood, one of the last films I made, and thereagain, you know, it was very tricky. I mean people called me ‘Ma’am’ and, oh God, youknow. But b[…]
[…] were studio based because you had thriving studios you had Shepparton you have Pinewood you had MGM you had a BPC history you had Merton Park and you had&[…]
[…]idn't do anything at all - up to the time that I retired at sixty-seven I was never once on the payroll of any of the big studios. Either Shepperton, Pinewood, Elstree or any of them, MGM. I'd work in the studios but taken in with other people, but all those years I was never, ever on the payroll of[…]
[…] anywhere near the studio, I always lived miles away. I mean in, in latter years if I was on a Bond or anything like that I used to try and live near Pinewood, I always used to try and get accommodation, or if I was working at Shepperton I would live near an aunt who lives near Shepperton.[20:00]Did[…]
[…] sat with me by my side and that was the first OB from a London theatre that was ever done. And leading out of that we came to, we went to Denham and Pinewood and did six OBs from each unit working at those respective studios of that time. That was very interesting.Alan Lawson […]
[…] in Yugoslavia Fiddler On The Roof. And it was a Pinewood based studio. Picture. And. Anyway when I went out […]
[…] and it became just Box Sidney Box and there was Pinewood we all went to Pinewood and Liz went her […]
[…] Terry Ashwood, I think. He was offered a job at Pinewood with the library I think it was, which he […]
