[…]nto a freelance situation, which of course was quite tricky because I was part of a studio which didn't exist. And I wrote to a dead M and I wrote to Pinewood I wrote all these places and MGM and trying to get into one of those studios and wasn't having much luck. But was offered the documentary tha[…]
[…] then suddenly there was a notice on the, on the board asking for someone who could make models. I went to the CO and applied for the job. And it was PinewoodAlan Lawson  41:34  Back homeRay Morse  41:36  Measley rush down to Pinewood You see, until as soon as I got there, I met […]
[…]wo children, how their families were against… really a sort of Romeo and Juliet story, called Hand in Hand. And Columbia took it up and we made it at Pinewood and it had Sybil Thorndike, was it… Gregson? AL: Jeffrey Gregson? DM: No. SC: John Gregson. DM: John Gregson, and various[…]
[…], whereas the VIP studios adapted for sound and the Hogan nothing like as good from a sound point of view. Denham was a very good studio. I preferred Pinewood work in many ways, but it was a very, very well designed and well a quick except I had this one enormous character which became we're so much[…]
[…]n did you go over to RankWT: As soon as Korda died.LW: Were you the only woman director 31 WT: Yes. Excepting, oh Muriel Box shot films at Rank, Pinewood but she worked for Sidney Box which was really separate to Rank. The first film I made for Rank was All for Mary, I suppose, either All for M[…]
