[…]was forty-five. There were others of my age but they didn’t say anything.00:06:0300:06:4700:07:24And I remember, did you ever know um Cyril Howard at Pinewood (yes, indeed, yes) Well of course he worked for John Davis and he was on that Committee and I can remember when I disagreed with John Davis, […]
[…]I don't mind that. You know, he said, I'll let you know. Or years went by as far as Bill was, and I think it was in 1953 that I saw him on the set at Pinewood or somewhere, and I went out to him and I said, I'm Jeff Foote. He said, Oh yes, I'm still waiting the year. He didn't think it was very funn[…]
[…]ey did, which made all the difference in the world. Now, I gave John. I got John O'Kelly back, who was used to be with go months, and he was there in Pinewood, running their library, there, working in their library. I got him back to work for movie town. He retired from with with rank, and then he r[…]
[…]yourself choose these particular stories to do? Or were any of them handed to you on a plate?Philip Leacock: I think a lot of these were producers at Pinewood coming to - I was under contract but they never forced you to take a subject, and I think that's traditional throughout the industry. You eve[…]
[…]der: Not myself personally, except that I did represent, I did sit on a board actually, sit on a War Office board now and then, which was convened at Pinewood Studios in order to pass out some of the FPU newly trained cameramen. I sat on the board actually with George Hill, which was again a strange[…]
[…] and remember. We had Paul Wyand, chief cameraman, Alec Tozer, Norman Fisher, Martin Gray who went from sound, Hamilton Craig, who came from studios, Pinewood. Hilton Craig we called him. We had Eddie Smayles who went to the BBC eventually, long since dead now. Ken Hanshaw, now retired. Those are th[…]
[…] photographer from 1935 to c 1970, with experience at Denham, Pinewood, MGM etc., and worked on many big films including […]
