[…]s Hussein 33:41 Yes. But the fact is, even now, not all of it is done that way. Sets are still built at great expense. Yeah. At Pinewood and Shepperton. Darrol Blake 33:52 But fully built, not suggested. Waris Hussein 33:54 […]
[…]ked with Sarah Monzani00:30:10 Problem with “Bugsy Malone” due to strike problem at Pinewood00:31:12 Working with Jodie Foster00:38:32 &nbs[…]
[…]e was Kent Houston 34:03 Rob Reiner was the director, Darrol Blake 34:04 and it was Pinewood? Kent Houston 34:06 We shot that. I think we shot it at Shepperton. Oh, right, yeah, I'm trying to remember. Doesn[…]
[…]ally at one point we had. Well, I didn't go but the rest of them went out there to build enormous film studio in, in Lagos. I mean, yeah, the size of Pinewood it was quite ridiculous. And a lot of these people in Nigeria, who are very rich, they used to buy cameras, we used to ship out Aeroflex came[…]
[…] Nathan’s costumier and was asked to work as assistant to Roger Furse on The Prince and the Showgirl; they worked at Furse’s home before moving on to Pinewood; JR became friends with Doris Box; for The Prince and the Showgirl, Dawson worked on the women’s costumes and Furse the men’s and sets; JR di[…]
[…]ot entertainment really.Alan Lawson: I can tell you a nice story about that.David Robson: What? 'The Great Mr Handel'?Alan Lawson: Yes. When I was at Pinewood during the war, I think it was every Friday night we had one of the latest films shown in the theatre. And 'The Great Mr Handel' was one and […]
