[…]l later on when I went out on my own as a production accountant that you got to know where the finance was coming from! But I stayed - I went back to Pinewood after I was de-mobbed and I stayed there for a short time and then I left and worked with the Ostrers, they started their own production comp[…]
[…] about it was that it did enable this country, at least, to acquire a whole lot of wonderful machinery, which which is still in existence. I mean, in Pinewood, they still have these wonderful, you know, rostrums, which will hold quite large sets and which can be very easily manipulated to almost any[…]
[…]ling farther out a group of 27 or 28 and still no sign of me coming out and I kept in touch with Ronnie Neame and Ronnie had said that I'd be a Pinewood if I could get a house and were running I can't get out. You know they won't let me go so we don't worry we'll get Tom White who was in charg[…]
[…]furious with myself because I never collected any of her designs. It never occurred to me to collect designs. And Yvonne Caffin, I think she was more Pinewood. Biddie Crystal and Billy Parkington.I: So they were under permanent contract?JK:I think they must have been because they were always there. […]
[…]Few'], you were draftsman on that and then I think Crown Film Unit were actually at Denham at that time weren't they?Peggy Gick: No they were over at Pinewood.John Legard: Oh they'd moved to Pinewood had they, by the time...Peggy Gick: Yes, yes...John Legard: ...you worked on ['First of the Few'].Pe[…]
[…]y reading for MGM, and I got home one evening, my mother had had a phone call, somebody wanted a continuity girl to do an all-night script session at Pinewood. And, she said, "It's very strange, they'd got the right number, but they hadn't got your name, they'd got somebody else's name. But when I t[…]
[…] in his office in full make-up. He used to wear pancake all the time. I don’t know what else. I got on very well with Earl. I was told when I went to Pinewood, “Always remember that Mrs St. John likes to go shopping” That was one of the first things that was said to me, and I thought “Oh god, how do[…]
[…]ugh real two without mix missing up a roll of optical stock. It was horrifying, but I could that's when I look back at people like Gordon McCullum at Pinewood, who for donkeys years, mixed direct to optical and all those old mixers, old films that were mixed with no magnetic tracks, no backups, no n[…]
[…]tside of Ealing. They didn't acknowledge anything else. They despised everything else they had they dumped on everything. Everything that was made at Pinewood and as being very inferior despite all this it worked and it worked extremely well it worked extremely well. They made that they're bad films[…]
