[…]the Buses. I did the first On the Buses. I also did Robin Hood [A Challenge for Robin Hood? DS]… I think it was made at Pinewood. I suppose the best Hammer film or the most important Hammer film was, erm, before the horror thing. Oh. I've lost it. Sorry.[01:15:18:620]&n[…]
[…]heard “Grandma, Grandma, I can’t get my Peter out” and I went over to help. Now this same Vincent Winter is now one of the top production managers at Pinewood, whether he still is I don’t know. Whenever I’ve been to Pinewood since he’s always come on the set to say hello, he’s a strapping great chap[…]
[…] there.Unknown Speaker 1:28 Then while I was at Sydney'sUnknown Speaker 1:33 panel vision was in existence, was being used at Pinewood and MGM Studios.Unknown Speaker 1:41 AndUnknown Speaker 1:44 I went to service some piece of equipment at MGM andUnkn[…]
[…] the American director. That was the first picture made at Shepperton after the war, 'London Town'. Roy Fowler: Was it? Ah...I thought it was at Pinewood but... Andy Worker: No it was at Shepperton, Because I remember when... Roy Fowler: In your time? Andy Worker: Yeah. When I op[…]
[…]isn't it?Roy Fowler : Right, yes, well either there or the National Film Archive I would have thought. One or the other.Ella Mallett : Well it was at Pinewood wasn't it?Roy Fowler : Was it? What, the archive?Ella Mallett : They took everything over there didn't they? I think you made some MOI Pictur[…]
[…]d got there?Eric Cross: Pretty well yes.Arthur Graham: And after the war was over, what happened?Eric Cross: Well, I was still freelancing, mainly at Pinewood. I freelanced, let me see know, I joined This Modern Age for a while, Rank's This Modern Age, which was a sort of magazine programme.Arthur G[…]
[…] I feel we did Miss Moneypenny and David Niven at Pinewood, but we actu ally shot the segment and what […]
