[…] here' he took it away and he came back to Lou the next day and said, "This is a very good story indeed. It wants a bit, I'll do a week's work on it, polish it up, it's a very good script." So we're gonna make this film - forgotten what it's called now, sea film, dangerous film - was it called 'Dang[…]
[…]y no-onebothered except staff officers looked at it but we managed to get one and passed it around from onebattalion to another. We got a copy of the Polish one I can't remember what that one was called, wegot three Russian films which were very interesting of Infantry tactics and gradually .....Tay[…]
[…] one battalion to another. We got a copy of the Polish one I can't remember what that one was called, […]
[…]that when I was a cinema projectionist, it's entirely from Studio, entirely different from Studio dabbing, and by dubbing, there's nothing to do with polishing your shoes. But I was in a fortunate position that, as I said early on this tape that I used to visit the studio and. See my friends working[…]
[…]too much about new units. So let me get this started. If I leave to ring up and say Is it all right if we don't size up maybe two or three people all Polish time I should stay. There.SPEAKER: F11So cute that you don't understand them they mean. You had to get go and. Get started. And we all paid pro[…]
[…] re-opened the studios, and that had a certain sort of polish to it. And there was a very marked difference, […]
[…]e trying to make pictures as good as anything. I think Rome Express was the first one when they re-opened the studios, and that had a certain sort of polish to it. And there was a very marked difference, even though they were operating - I mean the studio layout at Elstree was so much superior, but […]
[…]nt I had to be there half an hour early to get the equipment out, get the camera out on the floor and get it in the blimp, one thing and another, and polish it up and that sort of thing, ready for the day's work. Finishing times were purely arbitrary, you couldn't put a finishing time ever, you just[…]
[…]he of the of the camera department of the loading room and his name was Rabobank. But the crews were assigned in another office down what we call the Polish corridor, where the the big word were Victor piers was one of the production supervisors or what he was production supervisor. And I think toge[…]
