This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of […]
[…]ilm that he did about Bartok. Again, he wanted to professional actor, not a speaking part, but just to occasionally appear in the in the scene as a representation of Bartok. And he's no close ups. And if you want, if you want a close up, he must be stand, it must be a reflection in a lake, and it mu[…]
[…]31 Can you think of an example of an appalling misuse of archive footage? You know, where you’ve just gone: ‘Noooooooooo!’ [laughs] Kind of misrepresentation or...? Yeah. You saw war footage and it’s the wrong war [laughs]. Errr, Washington Square’s in New York, it’s not in Washington.&nbs[…]
[…]The Beggar’s Opera is a satirical ballad opera written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. The opera satirises the representation of upper classes in Italian operas popular at the time, as well as politicians like Robert Walpole and criminals like Jonathan Wild.[76] […]
