Mike Hodges

Mike Hodges  0:00  This is a recording of an interview with Mike Hodges, recorded by Rodney Giesler on the third of March 1998, in Blandford Forum Dorset for the BECTU Oral History Archive, Reel oneRodney Giesler  0:22  Right So Mike, can you tell me when you were born and a bit […]

Bill Ward

[…]ry much. So I applied, and I moved and came in under. Arthur Osmond, Oh, yes. And what was this other name? What was the name of the man in charge of presentation? Yes, went to Paris. Was started with fluent French. What the hell was his name?  Alan Lawson  20:14  He wa[…]

Sheila Whitaker

[…]t mind doing the occasional...SF: I mean I’m thinking of film, what they used to call media studies.Yeah. I would be quite happy doing the occasional presentation or lecture or whatever to people, that would be fine, I wouldn’t like to do it fulltime necessarily.SF: What about film theory, in i[…]

Larry Allen

BECTU History Project - Interview No. 381 The Copyright of this interview with Larry Allen is the copyright of the British Entertainment History Project. To use contach the Secretary Sue Malden sue.malden@btinternet.com  Transcription Date: 2002-07-08Interview Date: 1996-04-11&nb[…]

Dicky Leeman

BECTU History Project - Interview No. 367[Copyright BECTU] Transcription Date: 2003-11-18Interview Date: 1995-09-22 Interviewers: Rodney GieslerInterviewee: Dicky Leeman  Tape 1, Side 1Rodney Giesler: This is an interview with Dicky Leeman, by Rodney Giesler, in Bognor Regis. It'[…]

Jill Craigie

BECTU History Project - Interview No. 363 [Copyright BECTU]  Transcription Date: 1998-12Interview Date: First 3 sides recorded in 1993 by Toby Haggith from the Imperial War Museum. Side 4 was recorded on the 27 th July 1995 by Rodney Geisler from the BECTU History Project  &[…]

Erica Masters

BECTU History Project - Interview No. 362[Copyright BECTU]Transcription Date: 2002-08-16Interview Date: 1995-08-02Interviewer: Sydney SamuelsonInterviewee: Erica MastersTape 1, Side 1Sydney Samuelson: Well we're sitting here on the 2nd August 1995. We're in the meeting room of the British Film Commi[…]
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