[…] or '49...yes that's right. Yes I suppose so, that's when I started farming.L.P. Williams : So you weren't involved in any of the Festival of Britain presentations like the three-dimensional or anything like that?Rodney Giesler : No, no.Rodney Giesler : And you went farming where?L.P. Williams : Ast[…]
[…]ng of - I don't know, some sort of feel of perfection about the Romeo and Juliet, it had that something extra. The other one was a good workmanlike representation of Antony and Cleopatra really I thought that I quite enjoyed doing.Lionel Strutt: One thing about these Shakespearean films that you pro[…]
This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of […]
John Jeffrey (JJ)Laboratories (Technicolor, Colour Film Services, Humphries)BECTU No. 273Interviewers: Alan Lawson (AL) & Syd Wilson (SW)Date: 23/02/19932 Tapes Side 100:00:00 – 00:09:05 Born 27 Sep 1917 Motherwell; schooling; 1926 strike & depression; marriage at Gretna Green and move […]
[Side One] This is the twenty-sixth of November 1992, this is the BECTU History Project. Interview number 269 Harry Courcha conducted by Alan Sapper. The recording rests with The BECTU History Project.Harry, mm, when were you born?Second of March 1925.And where?Sixty-seven Queensdown Road, Holloway,[…]
[…]shape and he said ‘Oh lovely darling, much better’.[Laughter]But it was the same?And it was the same thing.Good.And there’s a lesson there, you know, presentation is all, and if it looks heavy they don’t want it. And I made it little and neat and he read it and said ‘Very good, very good’, and I got[…]
