This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (2015).BECTU History ProjectInterview n[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
[…]Oh, I think from a technical point of view, from a cameraman's point of view, I couldn't see much change actually. Any change I think has been in the presentation of the content rather than anything else. I don't think anything has happened in that field that would affect the cameraman.Arthur Graham[…]
[…] for instance I did a production of “Rope” Patrick Hamilton's “Rope” I think probably one of the best thrillers of the century, and now for the final presentation I only had the crew, the full crew, two sound booms and four camera operators for the day and therefore what one found liable to hap[…]
[…] me, because I can remember key was the standards of presentation and showmanship. For example, it was the manager’s job […]
[…] me, because I can remember key was the standards of presentation and showmanship. For example, it was the manager’s job […]
[…] pamphleteerists, and that's where the use of the story, the presentation of your story in dramatic terms (which is something […]
[…] pamphleteerists, and that's where the use of the story, the presentation of your story in dramatic terms (which is something […]
Nancy Tbomas DRAFT Page 1 This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film […]
[…] 22, 1941, p.1. [61] W J Gell, “The Art of Presentation: Good Projection Vitally Needed,” Kinematograph Weekly, January 14, 1943, […]
