[…]the Triffid’ which was a bit of a romp?C. D. Another big picture at Shepperton. Mainly of course with the Special Effects, who made all the Triffids, radio controlled. It was the most remarkable set we built. In the story 'The Day of the Triffids’ the whole world goes blind except one or two people […]
[…]man [Lloyd Williams] who - his energy and imagination founded commercial television, and he ended - was eventually pushed out - and he ended, mending radio sets somewhere, didn't he?John P Hamilton Yes.Joan Kemp-Welch: Another man, [Steven McCormack], was given virtually nothing to do and […]
[…]n cinema as a child, Donald Wilson 1:32we had a touring cinema which came around to our town hall. And it was one of the because we had no radio no known, nothing else. And we used to go down the hill family office used to go down and we saw the westerns and pedal bikes and all those thin[…]
[…]lous players, I remember meeting Dennis Brain, he was the greatest horn player of all timeUB: I met all those, there’s one now doing a lot of work on Radio 3, clarinet player....SC: You wouldn’t have known by then but was a great friend in fact of Thomas BeechamUB: Yes he was, I never met BeechamSC:[…]
[…]hat one left at that age in order to grow up and start work and earn some money. I my first job was. At Maidenhead and it was with and Emma Stone the radio and lighting people I it was you remember they're there to change jobs.SPEAKER: F11Yes. Yeah yeah yeah.SPEAKER: F9I worked there for a very shor[…]
[…]nt for a very good balance.Norman Swallow: If I remember, I was more or less the same generation, I was much influenced by Sequence, I was working in radio myself, not yet television, and I moved to television in 1950 having been reading Sequence for two or three years by that time. So I am just one[…]
[…]a bit it a very fine film yes. And we had I think we had a young radio made John Davis Diana. Diana showed on Danny's it. Oh she was in it. […]
