[…]d film. (TIME 27.09)DARROL BLAKE: Simon Cherry, The Man in Black even before PC.49. RENÉE GLYNNE: Ahh, even before. So, they were radio spin-offs and amusing and competently shot, well lit. The rest of the film industry laughed at us. Youcouldn’t say you were working for Hammer. […]
[…]y connections with it. I’m sure there were. The Shiers Trust, S-h-i-e-r-s? That’s it. Administered by The Radio, mm, Television Society’s History, History Group? No. No. I can’t... Okay. That means not[…]
[…] the BBC and that’s where the relationship with the National Archives comes into play and that goes, well certainly, for television programme output, radio programme output, certain parts of the music operation. They’re quite beyond the BBC’s interests and usage and I don’t think that’s ever b[…]
[…]lly met him at Edinburgh, where they premiered the long Good Friday, and his wife, Susanna capon, was had been a PA at the BBC, and she'd also been a radio producer, and they had decided to to cash in on the launch of Channel Four and and have A an independent company that did educational programs f[…]
[…]e we go. Couldn't predict that. She just wait till it goes off. Yeah, might be a long time Dan Thurley 8:06 you've got the radio mic. Yeah, Chris Strachan 8:16 right, okay, Derek Threadgall 8:17 sorry, Will Fife? Will F[…]
