[…]nt for a very good balance.Norman Swallow: If I remember, I was more or less the same generation, I was much influenced by Sequence, I was working in radio myself, not yet television, and I moved to television in 1950 having been reading Sequence for two or three years by that time. So I am just one[…]
[…]nbsp;Okay, so we've done the intro. On the intro. And we will. Very, very nice. Can we hear that?Unknown Speaker  1:58  Yes. What is that a radio? Or is it is it easy?Unknown Speaker  2:04  Oh my darlings watching telly in the front room. Tell us your names Terry. unclosing the f[…]
[…] Parade. Not far away, just outside the stadium. Anyway, so we put personal mics on Alec Kunis and George Segal. And they weren't though the we tried radios. We tried everything we could with radios, but there was just so much RF around in Berlin in 1966, that it was useless. So we wound up running […]
[…]ditors was a man called Mathew Anallgate(?) - he was a great fastidious dilettante who left actually quite soon afterwards because I think he went to radio newsreel - and, of course, I discovered, it turned out because of Korda and that sort of thing that he had been a film critic ...John Legard:&nb[…]
[…]ing that. So being the hands and feet of the actors whilst they're walking around with their scripts. In between that I would do things like slapping radio mics on a pebble Miller one and any programmes that I think I was, I was there for the last two or three years of Palmetto at one.Unknown Speake[…]
[…]m they’ve got the RKO symbol in the background and I suggested that there was an easy way to make the lightning flashes work. The RKO symbol was this radio tower mast with lightning flashes. So how to do that on the set of the film, I came up with a solution which I think was effective and simple. I[…]
[…]erations and they put me in to Communications for some reason despite the fact that I had no particular training in Communications! Communications is radio links, which, at that time, was the way of getting signals back to the studios. And routing various signals about the country. Glasgow was the m[…]
[…]ms : We didn't do... that wasn't the sort of camouflage I did. That's more the ordinary sort of camouflage. No, the camouflage I did was camouflaging radio sets...making uniforms, German uniforms, putting explosives into camel dung, dead rats... [Laughs]Rodney Giesler : So it was more disguise than […]
[…]h, you know,behaving, both of them, appallingly. I mean there was no way of pretending they weren’t.Anyway, Cav was going to be interviewed on German radio, thank heavens, and he had agreed to give the interview in French and there was this sort of lounge where all the delegates used to gather, and […]
[…]mmes - um - and then Edward Barnes - um - um01:27:30JOE: I think it was Monica SimmsQ: Yeah probably she went on to be - Controller of Channel - um - Radio Four and all sorts01:27:36JOE: I think it - yeah I think it was her - she had written it more or less - and produced it as wellQ: Oh no - no she[…]
