[…]the end of 1940, we got moved out somewhere round October.Roy Fowler: You were part of the BBC rep?Robert Beatty: No, I was reading news. I was doing Radio Newsreel. I was in it for about a year and a half.Roy Fowler: This was auntie unbending from the dinner jacket and black-tie image.Robert Beatty[…]
[…] on and all that. Yes, mm. So… Who had a radio track record. Absolutely. Yes. Yes, absolutely. Mm, and at […]
[…] you know. He didn’t write Tim Frazer but he wrote ones like that. He brought in Francis Durbridge and so on and all that. Yes, mm.So…Who had a radio track record.Absolutely.Yes.Yes, absolutely.Mm, and at what stage did that develop? How, what was, what did that…?How did that all change?How di[…]
[…]p; But I used to get Richard for 5 guineas and 10 guineas, and I said, “Richard, but you can earn 40 guineas” because he was very well established in radio. “Ah, my boy” he said, “Television is the medium of the future and I am going to be the best commentator in television.” And he was very f[…]
[…]nbsp;Okay, so we've done the intro. On the intro. And we will. Very, very nice. Can we hear that?Unknown Speaker 1:58 Yes. What is that a radio? Or is it is it easy?Unknown Speaker 2:04 Oh my darlings watching telly in the front room. Tell us your names Terry. unclosing the f[…]
[…]out the importance the BBC attached to children’s programmes on television. That came out of the importance they attached to children’s programmes on radio. Early days it was really like radio with pictures and policies were much the same. Policies seem to come from some extent from policies at BH.C[…]
[…]. It would be in God's will. And that would mean that we were an expense of the nuisance in about 1936 when I was 20 apparently I heard a talk on the radio by Anthony Asquith about film societies presenting films that were not considered commercial for the public. I don't remember actually that but […]
[…]rding is vested in the British Entertainment History Project. The name of the interviewee is Madeline Smith; film, television and theatre actress and radio. The interviewer is Mike Dick, and John Luton is on camera. The interview number is seven two two and the date is the 13th of March 2024. Okay, […]
[…]nt for a very good balance.Norman Swallow: If I remember, I was more or less the same generation, I was much influenced by Sequence, I was working in radio myself, not yet television, and I moved to television in 1950 having been reading Sequence for two or three years by that time. So I am just one[…]
