[…]hat one left at that age in order to grow up and start work and earn some money. I my first job was. At Maidenhead and it was with and Emma Stone the radio and lighting people I it was you remember they're there to change jobs.SPEAKER: F11Yes. Yeah yeah yeah.SPEAKER: F9I worked there for a very shor[…]
[…]ead by now. And. Politically unreliable. They said that this meant Europe or the US is and we can offer you a job running manager or whatever the new radio station. So we you know we're about show business.SPEAKER: F8And so is a show on the show. There is one snag is that in our current form the onl[…]
[…]ve been a television programme maker for the past 50 years, always freelance. And of course, being freelance has advantages and disadvantages. On the one hand, you don't have security. But on the other hand, you do have up to a point, the freedom of choice. So that's I think it's really important if[…]
[…] Parade. Not far away, just outside the stadium. Anyway, so we put personal mics on Alec Kunis and George Segal. And they weren't though the we tried radios. We tried everything we could with radios, but there was just so much RF around in Berlin in 1966, that it was useless. So we wound up running […]
[…]es. So you were not competing materialistically with anyone at all, and you didn't have to keep up appearances. So what happened? You listened to the radio, and you had discussions about Joad and Priestley, and these people who were arguing all for socialism. You listened to music, and you discussed[…]
[…]ditors was a man called Mathew Anallgate(?) - he was a great fastidious dilettante who left actually quite soon afterwards because I think he went to radio newsreel - and, of course, I discovered, it turned out because of Korda and that sort of thing that he had been a film critic ...John Legard:&nb[…]
[…]erations and they put me in to Communications for some reason despite the fact that I had no particular training in Communications! Communications is radio links, which, at that time, was the way of getting signals back to the studios. And routing various signals about the country. Glasgow was the m[…]
[…]ing that. So being the hands and feet of the actors whilst they're walking around with their scripts. In between that I would do things like slapping radio mics on a pebble Miller one and any programmes that I think I was, I was there for the last two or three years of Palmetto at one.Unknown Speake[…]
[…]t it the right way and I did it only for fun. I did it too early. Now it's all going on. You've got cassettes on everything to do with sailing on VHF radio, navigation, I did it much too early. The company, I'm still a director of it but my son has it and uses it in conjunction with his and he does […]
[…] Turner: There was at that time. If you listen to radio now, some of these things they're doing, what are […]
