David Attenborough

[…]logy?David Attenborough: No, this was whatever came along, it was just educational publishing. And then I saw a job advertised in the Times for sound radio as a talks producer and I thought I don't know, I mean I suppose it's the same kind of thing as thinking up ideas for books only it's probably q[…]

Nancy Thomas

[…]t to live within it. And at that time of course there was less problems; there was no inflation and we had a rising income all the time, we went from radio to television, from television to colour television and there was always a rising income and the BBC was very well off. In fact, the government […]

Johnny Speight

[…]t from factory to factory, I was either sacked or I left. And by that time I suppose, by the time I was getting near 17, 16½, 17, I heard jazz on the radio, Louis Armstrong and things, and this was a revelation to me. And also my early culture was the cinema. It really was the cinema. I didn't go to[…]

Frances Cockburn

[…]ople that you worked with? I worked at France Sewell? And I worked for a time of course on the Charles Gibbons? and the Savoy Hotel fields used to do Radio luxenberg programmes. That was really the main I think the main income, I think it was, I think there were there all the time, every week, and t[…]

Sheila Collins

[…]Telex seems comparatively recent. One used to rely on cables and little [incomp – 54:39] with twigs [?] running through the jungle. Or rather dubious radio connections between wherever the nearest capital or centre was and radio out with the unit.What were some of the titles? You’ve mentioned one or[…]

Michael Houldey

[…] and I thought, well, maybe, maybe I could, maybe I could. The story of the film. It was actuallyUnknown Speaker  9:54  three parts. It was two teenagers who were leaving school and going onUnknown Speaker  10:00  It's University and had a gap year. And they put ads in the paper […]

Renee Glynne

[…]d film. (TIME 27.09)DARROL BLAKE: Simon Cherry, The Man in Black even before PC.49. RENÉE GLYNNE: Ahh, even before. So, they were radio spin-offs and amusing and competently shot, well lit. The rest of the film industry laughed at us. Youcouldn’t say you were working for Hammer. […]
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