[…]s. And as it happened, I didn't finish up in the BBC, but I might I haven't finished yet. What was in his name. No wonder was, I don't know, probably radio producing that sort of thing. No, I meantRoy Fowler 14:38 by that. Was it kind of the fates of younger sons or Second Sons in those […]
[…]hen lastAlan Legard 21:11 thing that he and I did together with somebody called Colin Moffett, who was a mutual friend of ours, who was a radio producer now. And he did a just on a programme about the life of Humphrey Jennings. Oh, yes, I heard that programme. And Alvin was one of the sp[…]
[…]ision broadcasting companies, as opposed to the producers, they're more or less duty bound to send in returns of what music has been broadcast as the radio comes on, some of them are monitored. Some of them monitor or some of them are sampled by the prs, or by somebody so that they listen to an hour[…]
[…] vetting it. And the Head of, Director of, television and radio broadcasting of the agency phoned me and he said […]
[…]s a book. I'm putting the book on the table. I'm lifting the book off the table". This kind of thing. Anyway, I spent five months in Paris doing some radio work. One of the other people who was down and out and getting a bit of money doing radio work was... Ian...Ian ...oh lord... Ian Mc-something, […]
[…]e latter period. Before that I was working on all the CrazyGang films and Stinker Murdoch Pictures, comedies came the in. They were a pick upfrom the radio series .. I am trying to think of the last of the will Hay pictures we did there,Roy Fowler: Old BonesMaurice Carter: Old Bones that was much la[…]
[…]nbsp;coastal travel and coastal vessels. Or submarines or any hostile enemy any ship radio back and the petrol bombers would go out and they were fitted with a […]
[…]00:00:00]The copyright of this recording is vested in the BECTU History Project. The subject is Liz Forgan, Programme Commissioner for Television and Radio, interviewed by Teddy Darvas, the date is the twenty-fourth of January 2001. This is side one, file 495.Right Liz, tell us where you were born, […]
[…] shooting during the day on the mainland, and it would have to leave as the sun was setting, and then go out at night in a pitch dark sea without any radio or anything like that, and try and find a ship, actually, which you couldn't see because the waves were so high, you couldn't see the horizon, o[…]
[…]l us about the first time he saw a rough cut of 74 percent. Yes. We had a rough cut and I had heard about though it was admired Orson Welles suddenly radio programs when he did. Yeah. Every suddenly the mercury Playhouse and Bernard Herrmann scored. So I was familiar with Bernard Herrmann music but […]
