Eric Cross

[…]positions you've held and the types of films you've made, just to give us a framework...Eric Cross: I've been a jack of all trades, I'm afraid. When Frank Bright said he was going over to DeForest ... Films at Clapham, he said would I go with him as a Cameraman so I ditched the Still Dept and went w[…]

Ronald Grant

[…]er 1  27:05  was told a long time ago that in Scotland, the census certificate was only advisory. So we got into all the horror of all the Frankenstein's and mummies and everything. And my brother, when I said to my dad, oh, can I have some bins for the pictures? He my brother Gavin said, […]

Pete Murray

[…] RAF.  I went into the RAF in 1943 and I came out in 1945 and he said “I think I’ve got a contract for you.”  And I got a contract with The Rank Organisation which wasn’t a fortune but it kept me quite well and I was able to help my Mother and various things like that so I was glad to have[…]

Jean Kent

[…]an off with Morrison, I can’t remember which one. I think I ran off with someoneI: Now things are falling apart and contracts are being taken over by Rank and Lime Grove is in the process of being closed down so you go off to Pinewood for Bond Street.JK: Pinewood? I didn’t think that was done at Pin[…]

Julie Harris

[…]oing budgets and getting the film off the ground now, that how one would have had time for that fiddly-dee-dee, I don’t know.RL: Did you work for the Rank Organisation too? He did a lot of costume-films, or was responsible for distributing costume films. Was he very involved in design, did he unders[…]

Ron Goodwin

[…], Castner music, and I stayed with him for a bit, and then we got other arrangers in, because it all expanded, you know. And there was Jeff love and Frank Barber, Burnell, Whibley, Harry south, you know, John Gregory, we're all in this arranging department together. And I started doing a lot of free[…]
Scroll to Top