[…] at that time. Yes I can. But at. Universal News. There was Freddy Wilson Frank Parnell. Cecil James. Ted Tassie. And of course when you went out on assign[…]
[…]was easy enough to organise, if they could have got them, because there were two big groups. The Elstree group had a load of cinemas, was it? And the Rank group - I don't know what they were. So they, the NATKE, they wanted their members in to run the cinemas. Now eventually the ETU said, "All right[…]
[…]e. You only have to listen to it on the radio, it's pretty awful. It's 4 cowboy chords and 3 of them are wrong. And that's a big huge success, like. Frank Sinatra and some of the big bands and some of the jazz, there is a following for it in this country but it wasn't enough for me to make a living […]
[…]sp;What did you do for Opticolor  What was your job there? Adam Dawson  19:15  Dog's body.   Quite frankly they just keep me occupied because they got my money Roy Fowler  19:23  Your investment  Adam Dawson &n[…]
[…]e Studio was as big as the Nissen hut, I mean the hut just, so it was very, very cheaply done, and was a great critical success, but wasn’t released, Rank refused to release it NS Really? JG I think it had about a couple of showings out of town and that was that. Don’t know why. NS Gr[…]
    Frank Littlejohn Transcript  The copyright of this recording is vested in the ACTT History Project, Frank Littlejohn, one time managing director, Technicolor England. Interviewer BernardHappe[…]