Peter Lamont

[…]o awful, black-and-white, but there you are. When I came out of the services I was reinstated at Pinewood. Because in those days, Pinewood, it wasn’t Rank but Independent Producers had gone. The studio had… so I went to work on Trio with Maurice Carter and then I was transferred very quick[…]

Robert Scott

[…]machine speeds which mostly did commercials and then there were two 16 mm machines and a magnetic film sound transport and there was also a brand new Rank-Cintel Mk III Telecine which we could actually, it was much more like a VTR, we could fast rewind and that sort of thing and that was, kind of, t[…]
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