[…] or are you back on staff at BIP.C. D. I was freelance all the time. When I say freelance, it did include a year’s contract now and again mainly with Rankat Pinewood, but that was later on.R. F. Shall we look at the list? You've got ' Columbus', what did you do on 'Columbus’.C. D. That was because t[…]
[…]er Forde was also making Rome Express. And the only people at all that we could go to, there was a man called Clayton Hutton who was a producer, and Frank Cadman, and they were making custard pie comedies with Naughton and Gold, and a man called Jack somebody who was the stand-in for - Jack Williams[…]
[…]ir technique at the time. We went on after, we made The True Glory which was about the second front.SIDE 2, TAPE 1John Aldred: The Americans flew in Frank Capra to direct this movie. We were all doing fire watching, one evening. And this evening it just happened that his evening coincided with mine.[…]
[…]the Odeon management as it were and they pushed you wherever they needed you?Barry Quinton: Yes, all the cinemas I worked in all belonged to the Rank Organisation. They were either the Odeons or the Gaumonts and I moved then on to the Gaumont. I moved back to Finchley at the Gaumont Tally Ho Co[…]
[…]oing budgets and getting the film off the ground now, that how one would have had time for that fiddly-dee-dee, I don’t know.RL: Did you work for the Rank Organisation too? He did a lot of costume-films, or was responsible for distributing costume films. Was he very involved in design, did he unders[…]
