[…] [Chuckles]Sidney Cole: Yeah sure, why not?Tom Peacock: So I would go. Now when I start reminiscing I get mixed up with Shepperton, Pinewood, Denham, Riverside Studio, Gaumont-British, Fox in Wembley, all the studios that I worked in you see. When they were busy I would nip in - MGM, and all that yo[…]
[…]whole thing on the night. And I remember some of that coming from, I think we were, I think we must have done that from, that the actual link up from Riverside but he was all... We had people dancing round London. He was, he, you know, we were now opening it up, we were really getting outside the st[…]
[…]e would be called - He said, "We've got all these blokes who have to have their job back when..." he said, "I tell you what, why don't you go over to Riverside Studios where George Burgess is now in charge of the sound over there? You go there now."So I went over and saw George Burgess and sure enou[…]
[…] have done that from, that the actual link up from Riverside but he was all… We had people dancing round […]
[…]on and. I lived in a little hotel at the bottom of many hit Lane here Riverside Hotel little family hotel and I lived there for nearly two years whilst&nbs[…]
[…] or 3 years, had got into a bit of the old, [ a gesture?] not much, and he knew a few dancers. Studio. Television Centre was still being built, Riverside One, big studio, was in full use, drama, whatever, Ambrose had [studio] Two. The only studio we had was Studio G at Lime Grove which if you […]
[…]p;Who Goes Next, Second Thoughts, Murder in the Family, they were all Fox B pictures. I've got down, or she's got down, Avenue Productions, Riverside, shorts, and if I might go back to Fox days, I was lent out for a short period to go to the old Southall Studios for a picture called M[…]
[…]n 32:10Yes.Dallas Bower 32:11At PDC? Alan Lawson 32:12Yes, yes.Dallas Bower 32:13Well, he set up The Riverside Studios and I think what he wanted to do was to make films at Riverside of a kind that he had not previously been making at er Stoll at Cric[…]
[…]ing to a film studio. And costs I was and the reason he was able to do that was that his son was called Bert Mason. And Bert Mason was an operator at Riverside studios at that time. So I got an intro there to go and visit. And because I was visiting the film studio, I took along my sort of portfolio[…]
[…] Then I remembered, I'd worked The Daughter of Darkness at Riverside Studios you see, and the Cavalcanti thing, both were done […]
