[…] on it, and I learnt so much from Walter. And perhaps another man that taught me a great deal was Cavalcanti. I worked with him on a film with him at Riverside later on. But coming back to London Town, I do owe a great debt to Phil Brandon, who was an associate producer on it, who really guided me t[…]
[…] but some religious film, a man called something Simpson at Riverside Studios and we made, it was for the Rank Organisation, […]
[…]hat instead. But my career could have, could have been in sort of European theater. But after that, after that, we they went on to play their show at Riverside Studios in Hammersmith, which was just beginning to change from being a TV studio into being an art center. And David Gothard, who had been […]
[…]as Children of The Fog, they were as, as, as slum children, yes, it was a story about, you know, the slums. And then, that, I think that was the Riverside Studio I went over... Would be the Riverside Studio. Ah, yes, then came to London, Renoir, with his film l’Ile des Veuves, Island of th[…]
[…] the slums. And then, that, I think that was the Riverside Studio I went over… Would be the Riverside Studio. […]
[…] and cutting and going right through to mixing, which is where I'm very indebted to a gentleman called George Burgess, who was the sound recordist at Riverside, who was an RCA man.Sidney Cole: Very elegant?Kay Mander: Well, he was so - he taught me everything about tracks andSidney Cole: Very elegan[…]
[…]carnations and changes of name and status and so forth. I eventually wound up being their archive telecine specialist for what by then had become BBC Studios and Post-Production Ltd., previously BBC Resources, and so forth. With the move out of Television Centre, when that closed in 2013, our depart[…]
[…]ople really sit up and notice was the visit of the Bolshoi Ballet. They came to England with Ulanova. I was able to persuade them to our newly opened Riverside studios. Lime Grove had problems with height etc. Riverside had its own problems with low ceiling which made it extremely difficult when a b[…]
[…]mean deep, deep trouble. However, Bill has not returned from that day to this and I think eventually they were able to sell the stuff to a company at Riverside made the film, who was the guy, the BBC television director, his wife did the casting for, his wife did the casting for Doctor and the Devil[…]
[…] Lawson: Yes... Cyril Page: He worked at the Hammersmith Studio, Riverside Studios... Alan Lawson: Yes, yes... Cyril Page: Um...I...You know, I […]
