[…]lking about commissioned, I presumed you meant my classical side. All the films are commissioned. The first film which was commissioned was The Land, Robert Flaherty's film, I was 22 at the time, 23 at the end.JS: How did that happen, can you remember the moment?RA: Totally. When, it has to go back […]
[…] you know in the thirties CB: Oh dear I: Yeah… Robert Douglas another name I’m familiar with Miles Mander… CB: […]
[…] couple of reels of Jamaica Inn . The editor was Robert Hamer and I was called in because they were […]
[…]nd his wallet had gone. [laughs] So I mean that’s what went on and that’s why I remember the name Wendell Willkie. You know it could have happened to Robert Donat and I’d have remembered because it was Robert Donat. I can see him now, bragging outside the pub [Does American drawl] “Your ‘re all wond[…]
[…] do during the War years?SC : At the beginning of the war – just before it broke out — I worked on a couple of reels of 'Jamaica Inn'. The editor was Robert Hamer and I was called in because they were in a rush to get it out. I didn't get a credit on it. I'd worked on a couple of films with Erich Po[…]
[…]u in this room full of equipment I and my uncle John monk who had been known before the wars. John Goldman when he edited film for Michael Balkan and Robert authority called Man of Aaron just before we go on to Pinewood visit where did you go to school.SPEAKER: M5You didn't tell us about your school[…]
[…]s a gentleman used an awful lot of my stuff, I think, David, you all.John Taylor 2:12 But still, let's let's talk about Caroline lamb,and Robert ball.Paddy Carey 2:20 Well, Robert had to poke me sort of fairly early on, he wanted me to do with a title, background and second u[…]
[…]me get back to normal. Then darling old Charlie Crichton went off up the canals on painted painted boats, and that had somebody I don't even remember Robert Griffiths, and I do remember dear Jenny Laird. Then we did something called dreaming. I don't think we did that. I think John box boxer came in[…]
[…]on more pop records in this coun… in the UK, and he used to come down to a lot of sessions and help me… that were of the Stigwood organisation… Robert Stigwood used to use him a lot as a producer and he gave me a lot of tips on balancing because I used to ask him how he got particular sounds o[…]
[…] of joined them and he decided he would give the job to this black editor who were black assistant who'd worked on a lot of Arthur Penn's films. Hugh Robertson was his name and he was a black man from Trinidad. He was actually English by extraction I suppose or Trinidad Trinidad Dalian.SPEAKER: M3He[…]
