[…]s from a William Sanson novel called 'The Last Hours of Sandra Lee' - which is not about her death but about her forthcoming marriage. I was asked by Romulus, by Jimmy Woolf, to adapt the book. Everybody said it would be impossible - Bryan Forbes had turned it down saying it wasn't possible. It was […]
[…]s, and we had offices in Soho Square, 27 Soho Square. They actually belonged to the NFFC which was just starting and that was a new building then and Romulus [Romulus Films] and John Woolf were on the ground floor. So that became quite a cosy little film enclave.Yes. Were the producers creative prod[…]
[…] just starting and that was a new building then and Romulus [Romulus Films] and John Woolf were on the ground […]
[…]dlark got it. And I think we were over at Shepperton and I think we had about 15 editors sound and picture editors trying to get the picture out. And Romulus we're going mad the money we were spending. But Al Lewin had the final say, because he never got the, the the command, the Mudlark did it. And[…]
[…]s the parent company.I should imagine John Houston was sort of sponsored by the American distributors.Yeah well yes except African Queen and…That was Romulus wasn’t it?No it was all John Woolf, African Queen, Moulin Rouge and Beat the Devil were all John Woolf productions so they were really finance[…]
[…] for whatever John Woolf's distribution company was. It wasn't called Romulus and Remus because they were the two production companies. […]
[…]That was for John Woolf, that was a thing called Sirius Productions. It was made for whatever John Woolf's distribution company was. It wasn't called Romulus and Remus because they were the two production companies. But he had something like 'International something, something, something' [NB Woolf […]
