Eileen Diss

[…]I'm because I really like neutral backgrounds it's probably not too difficult. There’s things I can't manage at any price and one of them is virulent royal blue, or anything like that that's a killer for me. I mean most of the costume designers I work with we are very much in sympathy. I think I've […]

Robert M (Bob) Angell

[…], very useful with ideas for our sponsors and development of the company. And in fact, it led us to several interesting productions which concern the royal family. I did a film about the Duke of Edinburgh award scheme, which Prince Philip was, of course invented and was closely involved with, and so[…]

Geoff Hermges

[…] to be medically unfit, and then I returned to England, and once again, in their infinite wisdom, they transferred me to an infantry battalion to the Royal Army Ordnance Corps, and decided that I was then in the army Film Unit, but so I was then sent to Wembley, where I found the lovely sight of peo[…]

Mike Bradsell

[…]entioned the work of Peter Bartlett, it might help to illustrate that he was the cameraman on the war game. And later on Richard costumes, big to our royal family film. And a lot of that he used the the beam favoured ra flex cameras, he he used an eclair because it was shoulder mounted. And he was t[…]

Interview

[…]entioned the work of Peter Bartlett, it might help to illustrate that he was the cameraman on the war game. And later on Richard costumes, big to our royal family film. And a lot of that he used the the beam favoured ra flex cameras, he he used an eclair because it was shoulder mounted. And he was t[…]

Mike Fentiman

[…]he war, so he didn't actually go away to war. Though, I didn't see him very much because he stayed obviously around Woolwich in the London docks, the Royal Albert dock, and so on, doing the heavy engineering work. And we hadn't been bombed out of East Ham. We lived in what was relative country in th[…]

Michael Aldridge

[…]r loader.Michael Aldridge  2:02  The industry then, the film industry that was, became very difficult in the early '60s and I joined Anglia Television, where I spent nearly a year at Norwich on a contract. That contract ran out and I joined the BBC in 1962 as a holiday relief cameraman - a[…]
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