[…]his people realised that it was Jeremy Isaacs, not Jeremy Irons. They contacted him. Jeremy was at that point Chief Executive of the Opera House, The Royal Opera House, in Covent Garden and didn’t want to go back into television, was absolutely agin it but was eventually persuaded. Ted Turner when h[…]
[…]1933 and sort of 334Speaker 3  12:38  34 and then came in, oh, yes. Then, then, just about then, in about 33 just about 73 the LMS sent the royal Scott train to to the states, which went from one side of the states, right across with a bell on front, driver, Gilbert and a cow catcher. And […]
[…] to be medically unfit, and then I returned to England, and once again, in their infinite wisdom, they transferred me to an infantry battalion to the Royal Army Ordnance Corps, and decided that I was then in the army Film Unit, but so I was then sent to Wembley, where I found the lovely sight of peo[…]
[…]ally?" I said, "Well, Ma'am, you know, I..." [Laughs]Alan Lawson: [Laughing]Cyril Page: What could I say? But "I...I do agree with you." I said, "The Royal...There's no Royal Rota now" And she said, "Oh, isn't there a Royal Rota?" Because there used to be a Royal Rota, you see...Alan Lawson: [interr[…]
[…]ented the gas poker. Believe it or not I don't think he collected too many royalties of it but he did get a certain income from it anyway. But what ha[…]
[…]entioned the work of Peter Bartlett, it might help to illustrate that he was the cameraman on the war game. And later on Richard costumes, big to our royal family film. And a lot of that he used the the beam favoured ra flex cameras, he he used an eclair because it was shoulder mounted. And he was t[…]
[…]u here [TE refers to the equipment at The Flying Spot]. So I was able to make a clean break. I found premises here at Stockroom, London, here in Royal Arsenal, and I’ve been able to basically reconstruct my little corner of the BBC as my own business now, at The Flying Spot Ltd., as a tradition[…]
[…]entioned the work of Peter Bartlett, it might help to illustrate that he was the cameraman on the war game. And later on Richard costumes, big to our royal family film. And a lot of that he used the the beam favoured ra flex cameras, he he used an eclair because it was shoulder mounted. And he was t[…]
[…]sistant cameraman I focused a lot on the second camera. We had the first camera which was Steven de frag basil and by Gabriella who later went to the television. And on the same camera there was a man called George Stevens, me my I was assisting him and a man named Reggie Johnson. I also think Jim B[…]
