[…]:15 But to go back to the '60s Yes, I suppose ... Roy Fowler 40:19 Did he talk about any of the characters Tony Richardson, for example, or Karel Reisz ? Jonathan Balcon 40:25 No, he was involved with two friends of mine. Who were the […]
[…]even o'clock or seven thirty, and I used to have to whip out the commercials because we weren’t, then join them up again, and I used to do that. Alan Richardson, but primarily Richard Berkeley who was a...[35:03]Yes.A film editor, he used to, to look after those. And I used to rush down there and ed[…]
[…] them up again, and I used to do that. Alan Richardson, but primarily Richard Berkeley who was a... [35:03] Yes. […]
[…]le, you know. Did he have talent? Do you think? Well, he had a certain flair that in drama, the story, the story itself was very dramatic. We had Ray Richardson plain leading part down in winyard, who was then one of the English, very established artists, and the rest of the cast do some very strang[…]
[…]; DW talks about his work on the unfinished Nostromo with David Lean; films with Richard Lester; DW chose Help! Over working with Stanley Donen; Tony Richardson asked him to work on Mademoiselle after The Knack.00:38:00 – 00:46:30 DW: […] and in between I had the Marat/Sade with Peter Brook.AL:[…]
[…]mous figures: David Jones, Melvyn Bragg, Patrick Garland, Ken Russell, John Schlesinger, all of whom of course worked on Monitor, on and off.And Richardson too. And Tynan, weren’t they?Tynan did Tempo for Thames, if you remember. He was the...he didn’t, no, he didn’t.Come on to M[…]
[…] whom of course worked on Monitor, on and off. And Richardson too. And Tynan, weren’t they? Tynan did Tempo for […]
[…]ouldn’t have to act comedy. The moment you're acting comedy it's phoney. You are comedy or you are not. And it is interesting to compare Gielgud with Richardson. Sir John had to have his bits and his pieces, his little props and his mannerisms and his cadences and his rhythms with which he, superbly[…]
