[…]e been no opposition whatsoever from my mother because on my mother's side the drama, as it were, is in the family as much as we are really Kimballs. Sarah Siddons is, was, my great- great-great-grandmother. So there would have been no opposition of my associating myself in any way with anythin[…]
[…];that I got off in 10 to one and I did one thousand two hundred feet. Sarah as a soloist the highest a blind person was that it was that televised.&nb[…]
[…]ult to work with. He was he he was an ex animator and he'd come to eating as a storyboard artist and did remarkable storyboards for the whole film of Sarah Bamford and lovers.SPEAKER: M16And then moved up to a director but he could only think visually.SPEAKER: M8I remember having a discussion with h[…]
[…]t fair.Q: It’s not a fair world.SAMUELSON: And he’s done some really marvellous picture. I don’t know if you ever saw a film called The Hireling with Sarah Miles and Robert Shaw. It won Cannes, that year but it wasn’t a film that was a box office smash, beautifully photographed. And Michael’s just n[…]
[…]lly, but he was still delighted.Speaker 2 25:42 Dahlia is reading, reading something that reminds me what you're saying. Reminds me about Sarah, band for dead lovers, and your approach to that was your first color, your approach. And I can still remember having read a previous article in[…]
[…]ers at the bush? Well, mostly camera and sound department. Remember Brock lebank was ahead of the camera department. Then we had Jeff Unsworth there, Sarah Knowles, Bernie Noel, Leslie, Rosen and Harold Britton and many, many others who can't remember all their names right now, but they all felt we […]
[…]me when Vic Oliver was going around with Churchill's daughter...Kay Mander: He married her!Sidney Cole: He'd married her by then? What was her name - Sarah?Kay Mander: Sarah. And, Bryan Langley was the lighting cameraman. I can't remember who the others were on it.Sidney Cole: And you were...Kay Man[…]
BECTU History Project - Interview No. 17 [Copyright BECTU]Transcription Date: Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video CouncilInterview Date: 1987-09-16Interviewer: Roy FowlerInterviewee: Reg SuttonSound recordist: Taffy HainesTape 1, Side 1&n[…]
[…] [Copyright BECTU] Transcription Date: Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video Council Interview Date: […]
[…]ey who, at that time, was famous - he had, I suppose, what now would havebeen called a fringe theatre, but it was a famous theatre in - not in Orange Street, in Floral Street - which, anybody who remembers that time, it was a famous, famous theatre, little theatre. And he was just about to branch ou[…]
