Search Results for: Sarah Street

[…] before the Royal heritage. And I have completely left out. One of the programmes that I did also after the Library of Congress, which was the one on Sarah, which is called point CounterPoint. And it was two films that I shot back to back one on Degar one on Sarah. And that was first transmitted. al[…]

[…]king the film up to a few seconds ahead of what they had actually played it out you know getting into work. And I also did a sync score for my friend Sarah rockers film called New detergents, I think which was a film about the whole business of the history of soap and washing and the development of […]

[…]d in a little tiny village. It was mostly Italian crew with like few English that was Wilkie Cooper lighting Harry Gillam operating Cyril sound colic Sarah colic. That's right. Was it was the sound guy directed by a madman. I'd been an art director and now lives in America. Jesus what the hell was h[…]

[…] and Femininity in 1930s Hollywood (Minneapolis: University of Minnesota, 2000); Sarah Street, Costume and Cinema: Dress Codes in Popular Film (London: […]

[…]the summer afterwards, I think, I had a phone call, could I go down for three weeks to work for the producer in charge, who wasn't Tom salmon, it was Sarah Wilkinson, who'd been a journalist during the Biafran war. I think he told me some horrendous stories of what happened to him, and so I just wor[…]

Paul Collard Laboratories (Kodak, Kays, Soho Images, Ascent Media, Metrocolor) Interviewers: Sarah Street (SS) & Carolyn Rickards (CR) Date: 06/12/2017 Total Length: 01:30:31 [00:00:00 – 00:03:35 General pre-interview conversation]SS: This is our Eastmancolor project int[…]

[…]orking for the first time with two people who went on to work three people who I went on to work with make sure I get this right now. That is to say, Sarah Hardy, Sophia Robinson and James thunder pool. And that has given me a continuing sense of pressure because we're talking about 20 years ago, an[…]