Maurice Carter

[…] these vaguereferences.Maurice Carter: I think that's what advanced us very quickly all the chaps that workedwith him because they were given so much scope really, between having a very loosesketch and plan. But all the thoughts of the practical side, the detail, the minutiae of theset, you had to t[…]

Ronald Neame

[…]ainly in which we serve was the forerunner of of our little company. Roy Fowler  52:12  Could we just for a moment widen the scope, because all of a sudden it does seem there is a flowering in British film. Yes. It's a watershed. When suddenly there are people who have just […]

Dudley Lovell

[…]pan over? I said, Well, if I pan over, I lose the other guy. He said, What do you mean for those el archaia? size? What are the lens only has so much scope? And we've lined up? I said no, he's not on his mark, he will make adjustments. size, and I can't make an adjustment if we have decided no, that[…]

Val Guest

[…]gth. And many times he said about a routine which George Edgar and myself had written, he would say it's too long, you're losing you're momentum, telescope it more. But once those scripts were written, he never changed.RF: Was he a gagster?VG: No, he had a great sense of fun and comedy but he wasn't[…]

Erwin Hillier

[…] of atmosphere. And again, it was a very successful firm thatSpeaker 2  12:14  time. Important question, Erwin, have you started to work in scope? Yet? Have you started to work in scope?Speaker 1  12:23  Yes, I've worked on scope, on quite number of firms Now, which one was the H[…]

Interview

[…]many blades to get rid of a flicker. But what I did come across then, and it was much too expensive, and I never had one was the marvellous path, the scope, nine millimetre hand cranked projector, which I remember to this day, Shall I stop, no matter what, which I remember to this day, cost five pou[…]

Colin Flight

[…]e spots that we were finding because I … again the relationship with film manufacturers, they have equipment that we don’t have. They had a photomicroscope so we could get them to section through the piece of film, which had this mark or [unintelligible] on it and they could see there was something […]

John Shirley

[…]And he laughed, because he remembered Eddie Lowe basically the bottle a day man. And it was a fantastic experience with Raul because it was the first scope picture in Pinewood. And everybody was, I think they've been one maybe two made over shepardson up until then in the country, and everybody was […]

Anne V Coates

[…]’s, was it... Somebody insists upon it or has it in their contract that they can have all their films a letterbox if they’ve done, been done in cinemascope. It sounds like Kubrick. Well it might be Kubrick, but it isn’t, it’s... Oh, what’s his name it is. The guy who did Hook. Spiegel. V[…]
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