Search Results for: Screen Writer

[…] was like a paint box, you know, flew off the screen . = thought, ‘well they are all Technicolor, why […]

[…] yes, yes. But most of the time I mean the screen time was actually in the studio. In the studio, […]

[…]dio?[A 40:00]Absolutely, yes.I mean there might have been a bit of filming to get the cameras in the dry.But yes, yes.But most of the time I mean the screen time was actually in the studio.In the studio, yes.And it had a language and it had its…And it had, it had its own rules hadn’t it, yes. I also[…]

[…]ocal church organist and all that, so that impressed him and he said, "Well have a go then, let's listen to you." So I went down and looked up at the screen over the front of the piano. There was a burst of applause from the theatre, the audience, and for the next two or three days I had to deputise[…]

[…] and always give exactly what the what the what they can what the films was registering. And also one famous occasion, actually, when suddenly on the screen, one suddenly saw on the right hand side of the screen a Wilkie Cooper, who was the lighting camera. You saw him walking along with a handbash […]

[…] there was one script I wrote on which I had screen credit called Money Talks which was - I had […]

[…]l for me as well. But I say to be the film is the film is significant in the fact that really, that film is the last bit of colonialism we see on the screen. And a lot of it isn't in the film. I mean, the district office, he is never there, and what he says and what he thinks is not in the film, the[…]

[…]rier whether or not should should be bought and then finally kindly agreed to schedule, the schedule. But of course by then the product the amount of screen time the week was growing all the time. And commercial started. So we are now in competition. People are writers. So it became more and more di[…]

[…]ema film, about American football, American football colleges, and it was like a revelation those films, as to what they were actually putting on the screen. And all that was seeping through. They took on Slim Hewitt, who was a great stills cameraman, who was now working around the little Bolex, wit[…]

[…]e Albert Hall. And I've forgotten the man's name but there was a very big financier behind him, and the idea was that you had to get that film on the screen by the next day, otherwise it's dead. So he came in and - oh in the middle of the night, we were getting the stuff in, in the middle of the nig[…]