[…]that. 60 people. What do you what do they all do? Oh, no, you couldn't do it the way you do it. I mean, you really need them now. But you look on the screen, and then you look at, I don't know, Macleans or something with elephants, and, God knows what, I can't see the difference. I mean, you know, I[…]
[…] was never called Head of Production, he never got the screen credit as Head of Production, he was the Scenario […]
[…]on. And then the rest is history for Ray and Alan. They are now busy with Steptoe and Son. Meanwhile, Tony works with a guy called Phillip hooks on a screenplay about a Punch and Judy man. It's a Punch and Judy man set in a seaside town of Piltdown sat in a rainy British winter or a rainy British su[…]
[…]t was just such a magical world.[TIME 00.03.10] Bu,t I do remember that the one thing that used to fascinate me, as well as what was happening on the screen, was the dancing beam of light as I called it. Because, remember in those days, of course, everybody was smoking in the cinema, so you could se[…]
[…]y’ll call you on the set and these are the lines you’re going to say. They gave me lines daily, from the script, there was a script, it was already a screenplay as it were and George Cole – it was his second film, he’d done Cottage to Let George Cole was in it and because I’d seen Cottage to Let, I […]
[…] in charge of production. Well he was in charge in of production but the title he had then...he was never called Head of Production, he never got the screen credit as Head of Production, he was the Scenario Editor. And he had about I should think eight writers underneath him, and Frank was one of th[…]
[…]that here we are in two thousand and eleven and I was just watching the other night and there’s you know major film stars intercourse and it’s now on screen - you know in those days you couldn’t you know you cut away. But nowadays they quite happily show intercourse and major stars - yeah.Q: Oh sure[…]
[…]e paper for. An office boy or Junius junior officers system wanted for National Screen services and I saw them that obviously they made fire screens or something&nbs[…]
[…]brothers. School, the path is scope. And I had no idea about editing or anything, I just liked the idea of shooting things and looking at them on the screen. The cassettes that you used with this camera, only, they're only about 30 feet long. So you had just over a minute, I think 16 frames a second[…]