[…]fferent in terms of where we were in this line of where film came into the system and then went out as a product at the end of it as a feature on the screen. So that was very different. The working practices… I went into Rank’s primarily as a chemist, I started as a chemist with them because it was […]
[…]brothers. School, the path is scope. And I had no idea about editing or anything, I just liked the idea of shooting things and looking at them on the screen. The cassettes that you used with this camera, only, they're only about 30 feet long. So you had just over a minute, I think 16 frames a second[…]
[…] was Western. Electric, and I can definitely remember what the lamp houses were. It was Stelma, Stelma ? lamp houses pushing the picture on the screen. In fact, they are still around today for use, for follow spots, and they're very low.lam shows a very, very low lamp, if I remember lightly, t[…]
[…] the war artists. I want to put them on the screen, and you too, and I'm very keen on certain […]
[…]nity, the vanity of an old man more than anything. He always insisted that his plays be shot word for word, comma for comma and he worked on the screenplays. There was a woman called Marjorie Dean who was kind of script editor and she would put it into some kind of cinematographic language[…]
[…]de by all sorts of people. Polaroid spectacles had to be worn, it had to be shot with two cameras, projected on two projectors, and with a polarising screen in front of the projectors, and an extra reflective screen because of the loss of light and so on. So, but it worked. It was a clumsy system, a[…]
[…]Film Society an event that was set of about at the National Film theatre and Ipswich itself. But I got the local principal singer? put a slide on the screen, appealing for people to support the formation of an Electric Film Society, and a few are joined. And we started in a small hole in the museum […]
[…]le. Leapfrogging.Third Person: For how long a picture?Kay Mander: I think it was a three week shoot, if I remember rightly.Third Person: But how long screen-time, pinched?Kay Mander: What was a 'quota quickie'?Sidney Cole: Well it would have been about an hour - hour and ten minutes, an hour and a q[…]
[…] appalled that I’d made this mistake. I didn’t do it again, it was a rather expensive mistake. Norman Swallow: Did you get a screen credit? In those days? No, notJulia Cave: Oh no. Oh god no. Absolutely out of the questionNorman Swallow: You would nowJulia Cave: […]
[…] But don't Mr. producers, things have gone to my page with this, or have I got to pay for this, you know,Unknown Speaker 17:10 and indeed screen readers meetingEdward Williams 17:13 for the first class, right? That's right. That's right, right.Unknown Speaker 17:18 &nbs[…]
