[…]an was just explain that to us.SPEAKER: M2Sam Katzman was a producer. Big picture producer because you know they advertise. He would use a lot of the sets that were so-called ape pictures. And at that time he would reuse the sets. And so that they could advertising the set costs between many differe[…]
[…]ouldn’t take it but passed high up in the Civil Service and he got, became a civil servant but always an incredibly honourable one but chasing at the artistic bits as it were.SF: Yes.SF: Yes.3Name of interviewee Susan Crockford DRAFT Tape 1 Side ASo when it came to my leaving school there was no mon[…]
[…] say if they were using the same set, one day we could be shooting for one film and then the next film or the film afterwards, so they were permanent sets. We went to North Wales for the Swiss, for the mountain scenery on that. Yes that went quite well, and then after that another series I was on wa[…]
[…] probably advanced as well there. I don't remember him being that the time work doing that consultancies with various ads with the various show media sets. It might be shallow women, they were working for us that effectively was still Central, that subset that actually forms entertainers. And my Cam[…]
[…] was taken off the floor, and one thing I’d have probably been hounded out of the industry – we only had the one stage, there were always a number of sets, one being built, one being knocked down, one being shot on, and there was a hole in the road set, and there was a concrete mixer, and they were […]
[…] Mick always said, 'If you stick it out,' he said, 'I will make you a name at Lloyds.' Which in those days for a working name meant you had to show assets of 10,000 quid this was in the '50s.Roy Fowler 26:01 So that's a factor of what 100, probably. Jonathan Balcon 26:05 […]
[…]t onto the budget. So I I was really playing ratherv dangerously. To remember that it was a 5800 pounds, considering we had six different sets in it. David Watkin was the young cameraman who hadn't done anything before at all. except on a transport film. And David was the camera &n[…]
[…]9:21 Wilcox do dhungana stockingsSid Cole 9:25 and pink so yes, I thinkUnknown Speaker 9:28 they were lots of different sets.Ernie Diamond 9:31 But you pretty bad for me very bad boy. That was a George Pearson was theUnknown Speaker 9:35 test nem[…]
[…]him? A lovely fella, and he said, One, it's all perfectly legal. And of course, Ralph has talked about it to me. So ACT Films limited, with all its assets, which were, in fact, films, properties that had been made and hadn't made any money, but in fact, owed money to the film Finance Corporation. We[…]
[…]you could wind that up and down and you did it with tripod legs, that was quite useful. Then we did a film which was much more ambitious with cutaway sets, this was Greek St, this was Sinclair Hill and I think the art director was Wally Murton, I'm not sure, and it was quite ambitious. There were st[…]
