Search Results for: Sets Artist

[…] did a film which was much more ambitious with cutaway sets, this was Greek St, this was Sin clair Hill […]

[…]ou have to makes choices which will influence the way you work, especially a cinematographer as he or she has to have looked at the locations, or the sets, and chosen the right equipment to have, but there are always options on the day of how you can use the equipment and where you can put the camer[…]

[…] really fascinating… can you think of any particular instances where there was a, I don’t know, a conflict between the product or the process and the artistic demands of the filmmakers that you’re working with?CL: Yeah, I can think of a few. Unfortunately I can give you quite a few. We all, all labs[…]

[…] to get a shock off every time your ear touch. Wasn't it a French or was it French? A French camera? Yes, ah, I've forgotten the name. And it had two sets of lenses, cook and Astro, and you could shoot sound on it, because it was designed for, that's right, I knew Israel, yes, yeah, and it weighed a[…]

[…]and the cutting went through like clockwork, on the boyfriend. There were problems from the start. In the the we're going to be some elaborate studio sets at Elstree Studios. But while they were being built him spent several weeks at a disused Theatre in Portsmouth. And because it was disused, there[…]

[…]and the cutting went through like clockwork, on the boyfriend. There were problems from the start. In the the we're going to be some elaborate studio sets at Elstree Studios. But while they were being built him spent several weeks at a disused Theatre in Portsmouth. And because it was disused, there[…]

[…]u know - and, and  two and a half percent of the gross, can you imagine? (laughs)Q: But - but so you got in to preparation for the film with the sets and the every - casting blah -blah -blah and you started shooting at Shepperton?00:29:27JOE: Yep - we started shooting at Shepperton and on the f[…]

[…]:  It’s not just that.  It’s the money wagging the dog.Norman Swallow: Humph!Alan Lawson: Oh, sure that’s right. It’s a lot of money in new sets.Julia Cave:  I don’t think it’s as simple as that.  I mean you could say that tape was going to fight the film industry, yes.31:00 Alan[…]

[…]orror of my family! However But the plays that we did were quite remarkable in this little theatre which just held a hundred people. We built all the sets ourselves, myself and Peter Godfrey and his brother, he used to come and help. We had - there was a small stage and a dressing room each side, on[…]